1/8
Eldrige comes in and
starts pulling up his pant leg. No, no,
I don’t need to see that. Don’t need to see that. He’s got another medical story for me. …will never ask me again….I understood
that much.
Nancy’s in. We’ve got
to pull papers, letters together for the other broker. Make our case. And go to
see the apartment one more time.
Ralph invites me
upstairs. ETHEL is recording with Hannis Brown (http://www.hannisbrown.com/bio.html)
one of the hot new genre boundary crossing musicians. I can’t believe the gym.
It looks like Abbey Road or something. Mics on every ETHEL member. Space mics.
And an engineer. And every one with head sets. And to add to it, with the
bitter cold outside, the string quartet is playing with fingerless gloves on. Coffee and donut holes on the side. Ralph is loving the acoustic. And I see my first graphic score. Something very raw, organic about the music. As is
usual for ETHEL.
Priska wanders in
from the room next door which she has dived right into cleaning and preparing
it. She didn’t know about the recording. She looks up with a look of amazement
at the music. Part of the collateral benefits of being in this house.
Danielle is back at last!!! Her return from Iowa has become an
odyssey. Stranded in Chicago for 3 days and two nights. Due to the polar vortex, which still sounds like
something out of DC comics…having emerged
from the polar vortex, the man of steel…..but she’s finally back. And I
breathe a sigh of relief.
Regarding the still
missing Rachel, Jeremy agrees with RL’s general perspective, you can’t save everyone. You need to
apply your energy, creativity passion to developing programmatic work related
to homeless. You can’t save everyone, especially those who don’t want saving.
But there’s always the starfish parable…
Yeah,but you’re not
even throwing her back in the ocean.
Just kind of throwing random buckets of water on every now and then.
I get it. And when Danielle and I talk, as
annoying, deadly annoying as Rachel is, I don’t want a once grand lady (if only in
her own eyes) frozen like a bird in the ice in Central Park.
In the midst of the
winter, I see rose petals strewn in our hallway leading to Martin’s studio. I
look in, see Marina. It’s a scene from Antigone, she says, we’re
rehearsing..scenes for backers….
Upstairs, RL is
wondering why there are lights on upstairs. It’s Priska. Drill in hand, hard at
work on her studio. She gestures to the walls, every inch covered with Chris’
unintelligible scrawls. Are you in love with the writing? She asks.
Start with
primer…says RL.
No, I say.
I can’t read, says Priska. My English is not so good.
Even those of us with good English can’t read it, says RL.
I look again. And I ponder
the space between Chris’s scrawls and Peter Schuman’s walls at the Queens
Museum. It is a continuum. But there’s a
distance greater than from here to Queens. And there is a line. Sometimes it
just feels thin. Between madness and genius.
I’m off to check out
Stephen and Cara’s new apartment.
Walking down the street, I run into Rudy. It's been five years since he left and Rudy's gym officially closed. A generation of westside kids trained there. He's reestablished on 57th. Hell's Kitchen. But it's not the same. We're too old to have time to try and figure everything out. Why and what went wrong. It's enough to think of the future. And possibility. It's still cold.
At Stephen and Cara's. I get a
call from RL. Someone is asleep in the
sanctuary. What to do?
Call 911.
Later, I find a
message on the phone. All is ok. But he is flustered and frustrated. I’ll have
to wait until tomorrow to find out.
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