10/28
Jon and the Very Young Composers |
Mary from Bread and Puppet Theatre is with
us all day preparing for their upcoming three-week residence celebrating their
50 years of radical theatre, protest, puppets. And bread.
A neighbor aware of a concert this
afternoon and the upcoming B&P residency drops by just to make sure.
Soon enough, our friend Ralph and his Ethel
associates are arriving to rehearse for this afternoon’s concert with Jon and his
Very Young Composers. Due to contractual agreements with the Brooklyn Academy
of Music where Ethel just had a weekend of concerts, they cannot perform as nor
could we advertise the appearance as Ethel, so for today, they are appearing as
maSQuE, a great name for Halloween week. (The embedded SQE for String Quartet
Ethel, of course.) For more about Ethel see http://www.ethelcentral.org/
Jon arrives soon with his VYC’s. They have
immersed themselves in the music of Ethel. Experienced their rehearsal and
preparation process and written compositions that Ethel will perform. And the
compositions are all reflections on the theme of homelessness. The VYC’s,
ranging from 10 to 14, come from a variety of backgrounds, some not too far
removed from the experience themselves.
Some have begun as young as 8 years old.
Before the concert begins, Ralph does an
introduction. The New York Philharmonic
is represented too. And it is part of the introduction to make clear that
during these supposedly halcyon days of the Bloomberg administration, the
number of homeless in New York City has doubled. As each Young Composers’ piece is performed,
Jon directs and has the composer join him on the podium.
Jon also includes a piece from one of the Venezuelan young composers he met in his
work with El Sistema, the social project through music created by Jose Antonio
Abreu. (Perhaps best known for current LA Philharmonic director Gustavo
Dudamel.)
Jon and composers |
And having earlier played two of their own
pieces, maSQuE finishes with their Arrival from Nepomuk’s dances….their bring
the audience to their feet encore from BAM. Arrival is from their work with
young Native American composers in the Southwest. And the search to find, reconnect, with the
composer continues.
This concert was a living example of what
we are trying to create through the Center, what this place is all about. And for me, it's the champagne part, the part that keeps me going. Without which....Not sure why it's so hard to understand
Amanda has brought Amelia and Jen. Amelia
to see children not much older than she is and see what can be done. Amelia goes off with Jen. Amanda and I to my
good priest friend’s 70th birthday party. The night will end playing
with and for friends at 78 Below.
A great afternoon |
All other concerns set aside for the day.
No comments:
Post a Comment