11/6
Gertrude died today. At 103. One year older than West-Park. When
I first arrived here, she lived one block north of the church in a Sr. Citizen section 8 that eventually went market
rate when all the contracts of the late sixties war on poverty began to
expire. I loved her retirement
independent/assisted living place she moved into when she left her house. I used to enjoy their theme parties, their
Friday afternoon happy hours. And her
100th birthday party. When she moved t the Throg’s Neck , two hours away by public
transportation, I became harder. I’m sorry that I didn’t get to say goodbye.
I make it back from a Social Witness Council meeting in the
Village in time to catch the last half of Bread and Puppet’s opening night.
It’s a pretty full house. And as I look around, a lot of silver hair to be
seen. People who remember B&P from
when they were young. And the US seemed
on the verge of a sea change. The War ended. But basically what we got was the
American cultural revolution.
The world that B&P creates has the feel of ‘70’s avant garde. But also something medieval. Or even deeper. Ancient.
Archetypal. Drawing on both ritual and spectacle. Accompanied by their Cheap
Art Sale, B&P continues to be an act of resistance. They’ve never once
wavered or wandered Cirque de Soleil style into the mainstream or cultural
elite. Their collective work, their communal daily meals for the whole company, all continues to be an expression of visionary resistance. From the guerilla
theatre of the streets to their Vermont compound, it continues.
Company founder Peter Schumann is now 80. Somehow gentle and
steely at the same time. Still vivid,
as Zeljko would say. And though the audience is gray, the company is filled
with young people. And there are younger audience members around the edges. The
performance ends with bread being brought to a central table and Schumann
cutting slices to be dabbed with their special aioli from large wooden bowls
and spoons. Carnivale style animals lead the audience to the table and
there’s something eucharistic about it. Or again to the deeper roots that
underlie the eucharist. Free bread.
Cheap art. Political theatre.
The anniversary also includes a retrospective of 50 years of Schumann’s work at the Queens
Museum. And a downtown bookstore printed works exhibit. (http://breadandpuppet.org/50th-anniversary-2/50th-anniversary-events-calendar )
Trailer for the Shatterer: http://vimeo.com/75177278
Once again, that intersection of beauty and justice, ethics and
esthetics…
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