11/11
Good to see Cara back to help us out.
Tonight will be the opening of the Peter Schumann exhibit at the
Queens Art Museum. Curated by Jonathan Berger, son of Center Founder Ted
Berger. I’ll ride the 7 train out to
Flushing then try and wend my way to the old New York State building from the
1964 State Fair.
And I will be blown away by how Schumann’s vision fills the
museum. A mural fills one entire wall with the city, the 99% oppressed giant
and the peasant shoe flag from the 15th century peasant revolt that could have
set Europe on another course had not the Reformation ultimately sided with the
emerging bourgeoisie.
There will also be Peter’s Shatterhouse and his Chapel, every
inch filled with puppets. Only here in Queens it is black and white not the
earth tones of the West-Park puppets.
Peter will insist first that it isn’t a solo show, but a Bread
and Puppet show, only possible through collaboration. And that the gallery
visitors need to see the show at West-Park to fully understand the Shattered
World. The night included the Bread and
Puppet band playing as a second line brass band and a group of Georgian singers and
Peter’s primal folk songs from the northeast kingdom. Accompanied by his fiddle.
And of course the show includes a red brick oven where he builds
a fire and bakes his bread.
Somehow I will make my way from Corona to Astoria to meet up
with Zeljko and Zoran after a downtown screening to enter into the Serbian
Queens diaspora and enjoy a night of rakia, ayvar and large platters of food of
every species. And more rakia. At one point, Zoran will say, You know how gypsy
we are. There are always bear hugs. To show affection for each other equal to
the love, the bear hug of life itself.
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