9/24
A very good surprise. Cara is in for a visit. It’s been a very
long time. She plays the piano for awhile, and I remember her intense
improvisational journeys. She’s staying upstate for awhile. But still at home
here.
Pat and Mandola Joe arrive. Joe with all the tools of the notary
trade. Stamp, seal, and a forthright asking of the required questions with
sworn answers. Even with a sense of humor, he takes his work seriously. Though
a round at the Gate is a mutually enjoyed compensation. So our documents are
official.
It’s late afternoon. A woman comes in. At first she’s just a new
chiropractor in the neighborhood, making acquaintances, looking to build her
business. But as the conversation goes on, I find she lived some time in Tulsa.
We spend awhile sharing memories of a
city we both loved. Like a lot of chiropractors, she’s also into holistic
health. And as it turns out, spirituality. As we talk more, I can sense that
she’s part of that growing community of non-denominational free emergent
churches, although from what I think of as the more juicy evangelical end.
She’s found a church home in New York City God called her too. Turns out she is
a drummer, too. We end our conversation with an amen.
Martin’s daughter Gabriella is working on a fictional writing
piece on someone we both knew and loved, namely Teddy. Martin had to stop
reading because it hit too close to home. He asks me to take a look, Gabriella
is shy. Martin wonders if her use of the phrase Jesus fucking Christ is too
over the top. I remember that Teddy swore even in Bible study. Wasn’t even
aware he was doing it.
I think for a minute. Jesus Christ itself, as an expression, I've come to believe, is
actually a prayer. It’s called out when we’re taken aback, shocked, frightened,
amazed. It is an appeal expressed when we can’t make sense of things. I guess
the addition of fucking,obscene or blasphemous as it might sound, is in fact
just an amplifier. A bigger prayer, you might say. It’s okay, Martin, I say.
Authentic…
She’s also worried about the juxtaposition of carnal erotic
energy and spirituality. The sensual and the sacred, in her writing. Can't avoid it, I think, always there. This is my
answer:
I grew up a whitebread, rational Protestant. I was OK with that
until I went to New Mexico and
encountered the penitentes. I though they were weird, outré in their culture of
self-flagellation and redemptive suffering. And then I read a collection of penitente poetry. And
realized that it’s not for nothing we call it the passion of Christ. That’s
what unites these worlds, passion. A passion that cuts to the very core of our
being. I met men who could experience whips and be cut to a Mel Gibson level of stripes
and within an hour of the ceremony, not show a mark. I acknowledge and accept that.
Gabriella has absorbed the flamenco culture that she has grown
up in. There’s something in the Spanish culture I’ve always been drawn towards.
That fascination with blood and death and survival and even triumph. I’m frankly
amazed at how as a high school student, Gabriella has already incorporated so
much of that ethos into her writing. I share these thoughts with Martin. He
smiles. This is why he belongs here.
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