12/23
The day before the night before. Guillaume walks across the street, meets
me on the steps. I want to give you a tree, he says. So I walk across with him.
He goes off to tend to a customer. I pick out a modest sized tree. Karen, as
strong she is creative, is preparing to
make a fresh cut for me. Guillame looks up, No, you must have the tallest tree,
and leads me to a ten foot tall Douglass Fir. There, that one, he says. After the
fresh cut, he hoists the tree up on his shoulder and carries it across and it
into the church, setting it up for me. There, that is right, he says.
RL is helping me to develop a strategy to get the place clear and clean
for Christmas. Rachelle is part of what makes a strategy necessary. She comes
in for a conversation. I try to make clear again why removing her cart is
necessary for Christmas. She begins talking about how she was in the news. A
cover story. In the Westside Spirit. I look it up and sure enough, it’s true.
Somehow I had missed it. It’s not a bad
story. Although typically Upper Westside liberal. They call her Esther. Romantic compassion comes easier when you don’t
feel joined at the hip to her.
Tonight’s Bible Study is a musical study of Mary, beginning with the
Cherry Tree Carol. I offer a choice, and John picks Sting's version.
The cherry tree carol
After it’s over, we talk about how it’s roots are in James and Thomas and
the Koran, like we learned last week.
Down in yon forest, Joan Baez
Down in yon forest, Bruce Cockburn
Next we look at the spookiest carol of all, Down in Yon Forest. We hear
the mellower version, of course by Joan Baez, and the raw and scary by Bruce
Cockburn. It’s sources go to the medieval Golden Legend (http://en.wikipedia.org/wiki/Golden_Legend)
and the Grail myth. (http://en.wikipedia.org/wiki/Holy_Grail) And we wonder at the ancient English
traditions that wove scripture and Celtic lore into deep and dark explorations
of birth and death. Christmas and crucifixion in the same carol. Water and
blood flowing, the Eucharistic sacrifice.
I wonder as I wander, Barbara Streisand
I wonder as I wander, John Jacob Niles
Which leads us to I wonder as I wander, the chill and windswept discovery of John Jacob Niles from Appalachia. Carrying on that same tradition. Barbara Streisand’s version much to clean and smooth.
Which leads us to I wonder as I wander, the chill and windswept discovery of John Jacob Niles from Appalachia. Carrying on that same tradition. Barbara Streisand’s version much to clean and smooth.
Then two versions of Mary had a baby: one by Cockburn again with its southern honkey tonk feel and Paul Robeson’s (Negro) spiritual version.
Paul Robeson
And then John suggests Mary did you know? Which I remember from Andrea Bradford and Larry Woodard’s powerful arrangement sung here by Andrea and Lauren Flanigan in Larry’s Mary, Queen of Galilee suite.
I say that James Cone said in Black Theology that thee are multiple
canons: the Bible, but also Black preachers’ sermons and the music of the black
church. The people are always writing their own canon rooted in their own
lives. Didn’t stop in medieval England or 19th century Appalachia or
the South. It continues on, even to this
day. The word continues or be made flesh, God becoming incarnate. Always. Our
wait is almost over.
And I must wait for Rachel to leave for the night.
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