10/3
Chelsea |
Dan and Gene introduce the concert |
artist and composer Mark Kostabli |
Margaret in "quarantine" |
No time to go home and change before going to Composers Concordance’s concert “Fortune Favors the Rave” at the new Kostabi World in Chelsea. The audience seems mostly masked with different members having different levels of care and/or anxiety. The concert itself will be a a combination of live performance, digital, some performers via ZOOM And all streamed on Facebook Live. The future seems to be being created step by step and it seems we will be in this limbo awhile. The flautist is concerned about the prospect of “spitting all over the audience” so performs her solo from a closed, nearly sealed, bathroom with a camera projecting her image onto the performance space wall. The final piece of the concert was a moving piece of Strange and Solemn “incidental music” for the Tempest composed by ...Concordance founder Joe Pehrson. He died in April of Covid.
10/4
Yet another conference call worship for Beverley Presbyterian. Not enough members are tech savvy enough to do ZOOM so we go old school. Yes, and communion too. The first virtual World Wide Communion Sunday in coronavirus world. Just a bit more imagination to stretch the table around the globe than simply across the harbor to Brooklyn. We can still feel each other through the phone.
Our family International ZOOM call is filled with talk of the President in Walter Reed Hospital. More and more aides keep coming down positive. Seems his celebration for his new Supreme Court nominee was a super spreader. In Berlin, my grand children enjoy a small street Pumpkin festival with amusement rides and trampolines and games. Our numbers are spiking again and the mayor is reclosing neighborhoods. ( In many cases Orthodox Jewish enclaves. And hipsters)
far far away |
Things continue change at Bar 9. Tonight’s supposed to be the first return to indoor night, The performance stage is now inside, almost to its original position. Indoor tables are set up. All performers have to have that temperature gun fast on their heads. When people hear they have to get their temperature taken and fill out contact forms, everyone passes, either remaining outside or just leaving. We play with a giant gulf between us and the audience. Each with our own mic condom. My pedal stele guitar play has come without his instrument, just to check out the scene. We are being pressured to play more “upbeat covers” to help “bring people in off the street.” Not sure how much I’m down for that.
We head to the comfort of the Gate to close out the night. Friends. Familiar faces. Even in masks.
At 11, the city that never seeps closes down.
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