10/10
Another guest blog by Eli
Y. Jack….
Over
the years, a number of parties have been very interested in buying West-Park
Church. It appears finally that someone
has succeeded. And the neighborhood is rightly to be concerned.
In
the recently concluded of Dracula staged by the Three Day Hangover company in McAlpin
Hall, Bram Stoker’s story has been updated. The story has been updated to the
present day and the Transylvanian count now wishes to relocate to New York City, known for its acceptance
and inclusion of anyone who is different.
And the property his real estate agent has located for him is none other
than West-Park Church. Right next door
to the asylum. I must say that Pastor Brashear has often suspected as much.
The speech where the suitability of the church for Dracula’s needs is
painfully a propos, even while
drawing laughs from its humor.
Not
having seen a Three Day production
before, I was wary. But the cast and overall production quickly won me over.
Steven Dietz’ script respects Stoker’s original while cleverly playing with
today’s fleeting cultural norms and expressions. Kristin McCarthy Parker’s
direction leads the cast through a journey that runs from almost slap stick
humor to drinking game to drama without ever losing the narrative throughline. And she never falls into farce.
The
concept for the production is to move it from Victorian London to New York
right now and instead of Carfax Abbey, Dracula has chosen West-Park as his new home. (The thought that a real
estate agent would sell this long beleaguered church to a vampire has its own metaphoric humor.) And, as we said, the asylum is right door.
(Proabably not the ‘20’s era condo next door where manse used to be, but if you
take Capital Hall, the church’s northern neighbor, well, just maybe…). And as
other companies before them, Three Day has discovered the old church as a
character in its own right, referencing its diminished congregation and name
checking the booming young Korean afternoon congregation, the swung dancers in
the gym , and well, vampires in McAlpin.
Dracula
also take sits place in West-Park’s history of immersive plays beginning with
Woodshed’s dazzling the Tenant, which
reopened the space. Anachronisms like
cell phones fit right in.
The
cast was uniformly strong from Michael Borelli’s near perfect post communist
era eastern European oligarch playboy to Paul Kite’s playing of Renfield like a Shakespearean jester. Jonathan Yario’s Harker and
Jonathan Finnegan’s Seward hold their own. But the women really shine. Miranda
Noelle Wilson’s heated Lucy would demand serious attention in any Upper West
Side yuppie bar and Nemuna Ceesay as her
bff Mina hits all the right notes. But
the real show stopper is January La Voy
(from the soap One Life to Live) as Professor Van Helsing,or in this case,
Professor Van Yuengling, the result of a lucrative product placement naming deal. (Yes, it
works)
Most
amazing, the production manages to take us from riotous laughter to an actual
experience of horror.
And
there’s this…just when I was ready to accept Dracula as just a very well done
Halloween season diversion, one critic alerted me to the theme of fear of the other. And I get it. Whether it's the
swelling tides of refugees in Europe or
Donald Trump’s wish for a non-leak wall along the US-Mexico border, the fear is
the same. What will these outsiders with their heavy accents and alien cultures
do? They will drain our life’s blood and suck us dry. There is that. So Dracula continues to be more than a diversion in West-Park’s ongoing offering of arts experiences that explore that intersection of ethics and
esthetics. Without taking away any fun
at all.
I confess a long fascination with theatrical takes on the Dracula story with special appreciation for Tulsa's American Theatre Company's straight horror take to Actor's Theatre of Louisville's annual production. Three Day's is right in there in its own unique niche.
I confess a long fascination with theatrical takes on the Dracula story with special appreciation for Tulsa's American Theatre Company's straight horror take to Actor's Theatre of Louisville's annual production. Three Day's is right in there in its own unique niche.
Thanks
to Pastor Brashear for inviting me along
for the ride. Hopefully he’ll bring me
along for Three Day’s next venture, Tartuffe.
Other
reviews:
http://thereadingsalon.ca/dracula-by-three-day-hangover/
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