Mentions of Mc Alpin Hall in reviews for Animals out of Paper
Animals out of paper.... |
Furthermore, Ran Xia’s set
complements this show well. Xia has built a littered, scrappy place into what
looks to be an abandoned hall of an old church. The audience hears lines about
“counting blessings” while seated on folding chairs level with the actors in
the remains of a hollowed-out church banquet room. The juxtaposition presented
through this assists the play’s message that words don’t always reflect
reality. The real origami that punctuates this set creates the one, small, good
thing about the “paper zoo” in which these characters are held captive.
Director Merri Milwe stages the play skillfully in the rec
room of West Park Church. The drab and drafty space was a fitting place for the
story. The creaky floorboards and overhead lighting from old chandeliers
really set the scene for me. There stage is filled with some extraordinary
origami sculptures courtesy of Sok Song and Lorne Dannenbaum (and a long list
of other artists). The giant hawk, the human heart and hissing cockroach
were among the most remarkable.
While
Ran Xia's art studio set is rather sparse, the space becomes one with the small
room at West Park Church where "Animals Out of Paper" is staged.
Though the fourth wall is not broken here, audiences are pulled into the world
of Ilana's studio, which feels real and really, really cluttered. The vast
parade of origami animals adds dynamic value. The glow-in-the-dark,
color-changing origami that appears during scene changes is also a nice touch.
The space is challenging, as the old church hall still has
the dust of bingo parlor about it. Set designer Ran Xia swings for the
fences using every inch to advantage. This may be the only play ever to
list an Origami Consultant in the CREDITS. So, Talo Kawasaki, well done!
No comments:
Post a Comment